Which of the following best describes the cultural impact of Kirk Franklin's blending of hip-hop and gospel music in the 1990s?

A It was immediately embraced by all denominations, leading to a rapid decline in traditional gospel styles. B It faced significant resistance from traditional gospel audiences but ultimately broadened the genre's appeal to younger and more diverse listeners. C It had minimal impact on the gospel music scene, as hip-hop elements were already prevalent in the genre. D It led to a complete separation between contemporary and traditional gospel artists, creating distinct subgenres with little interaction.