Beyond its commercial success, what significant shift in the gospel music industry did Kirk Franklin's crossover appeal in the late 1990s and early 2000s represent?

A A complete abandonment of traditional gospel sounds in favor of secular R&B and hip-hop. B A strategic move to solely target younger audiences, neglecting the traditional gospel fanbase. C A blurring of the lines between gospel and secular music, leading to wider acceptance and challenging traditional boundaries within the Christian community. D An intentional effort to diminish the spiritual message of gospel music to appeal to a broader audience.