Beyond its commercial success, what significant shift in the aesthetic and lyrical content of contemporary gospel music did Kirk Franklin's 'Stomp' (1997) represent?

A A complete rejection of traditional gospel harmonies in favor of secular pop structures. B The introduction of overt political messages into gospel music, directly addressing social injustices. C A deliberate blurring of the lines between gospel and secular music, incorporating hip-hop and R&B influences to reach a wider audience. D A return to the a cappella roots of gospel, emphasizing vocal performance over instrumental accompaniment.